Apr 18, 2017  Re: Piano arrangment of Carl Orff's Carmina Burana «Reply #6 on: April 15, 2017, 08:52:06 PM » I have that arrangement, and I think it is extremely difficult and needs large hands.

I have the solo transciption of the entire thing but the excerpt you're looking for is surely in there among the rest of the work, i dn't know about the grade but i'll upload it to my media fire and shoot it to you so you can look at it if you decide to buy it you can preview it to make sure it is around the right grade. From the initial looks of it it's not that bad. Aml flash zip android. Really really nice good solo writing for a choral plus orch to piano transcription. Its by chumachenco as heard on this album if you're interested in buying a recording of it you can click into it and it will play a few seconds of each section so you can preview the sounds sheets 10% off coupon code good till april 3 2012 'Welcome10percent' publisher released preview images below (not mine as in these shouldbn't violate copyright rules since they put these out in their marketing). You can believe me when I tell you you won't regret spending those bucks on this arrangement, it's definitely worth it. When I first found out about it, I was only looking for a piano solo arrangement of the 'O fortuna', not because it was the only section I cared about, since as you know, that entire work is a gold mine, but because I just didn't think it possible that anyone had actually taken the time to arrange the whole thing for piano, solo or otherwise. But there you go!

I think I might have made a bit of a blunder including the 'Fortune plango vulnera' among those relatively easy sections of the work, because the second half of it is pretty demanding, both because of those big jumps involving chords and octaves, as well as the tempo, but it's true I found the first half easy enough, on the other hand (pun most definitely intended!). The others I mentioned are definitely easier, and like I said, they're still lots of fun, too! I also appreciate the fact that, not infrequently, Chumachenco writes down the name of the particular instrument that you're trying to evoke in certain passages, a little like Liszt did with his transcriptions of the 9 Beethoven symphonies, so that, just to name a couple of examples, you get the annotation 'quasi marimba' at the very beginning of the exquisite 'Veris leta facies' and a somewhat funny 'legato, quasi Soprano',at the beginning of the famous (.or infamous?) 'Dulcissime'.

Hope you get your hands on it real soon! And cheers for that vid, by the way, I had never watched that one, it's a pretty good rendering of the 'O fortuna'! Here's the first part of the three that make up Chumachenco's own recording of the whole work, if you're interested.

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