Shadows of the Sun is a path to be followed in complete solitude in those moments - right before falling asleep - when time seems to slowdown. It’s a mysterious ocean of muffled and suffused sounds, a cosmic floatation guided by deep and warm Garm voice, with drops of piano, foggy strings and electronic sparks. There is no trace of Perdition City nocturnal trip hop or Blood Inside intricate experimentation.

Shadows of the Sun has got a new sensibility, more reflexive and atmospheric, close to David Sylvian intimate art rock and to kosmische musik trips. Unlike 70s German experimental rock, Ulver hypnotizing wall of sound doesn’t annihilate the listener, but it envelops him, inducing a meditative state of mind. A music that evokes physical and mental spaces, within which we have to venture, to face our deepest fears, and to touch our finitude.

Ulver - Discography (studio albums) ( Black Metal) - Download for free via torrent - Metal Tracker Download Ulver - Discography (studio albums) ( Black Metal) for free via torrent. Ulver have sold in excess of half a million records, have well over 11,000,000 plays on Last FM, been twice nominated for the Norwegian Grammy Awards, Spellemannsprisen, in different categories, won Album of the Year at the Oslo Awards for Shadows of the Sun in 2008, won the NATT&DAG award for Best Live Act in 2011, and earned a global.

Contents • • • • • • • • • • • • • • • • • • • • • • History [ ] The Black Metal Trilogy [ ] The band was founded in 1993 in by vocalist together with Grellmund, Robin Malmberg,,, and A. Ulver issued their first demo,, in November 1993. Their music and style was consistent with the of the early 1990s. Kumpulan animasi bergerac powerpoint pembukaan kota. However some have noted the,, and influences that would later shape the band's sound. The archaic Dano-Norwegian lyrics were greatly influenced by and inspired by Baroque poets such as and the hymn-writer. Their debut album,, the first part of what has become known as Ulver’s ',' was issued in February 1995 through label.

The album was met with critical acclaim, and was notable for blending black metal, harsh vocals and blurred, buzzing guitars with quiet, folk-like acoustic passages. It was praised for its unique atmosphere and was described as 'mysterious, melancholic, eerie, and oddly tranquil.' For their second album, issued March 1996 by, Ulver eschewed a typical sound by incorporating, and choral chamber chants overlaid with subtle orchestral landscapes. The album was a drastic contrast to Bergtatt, whilst still retaining the atmospheric and folk themes. Vocalist has since remarked that, despite strong content, was an 'immature attempt at making a classical album'. The album was praised for its atmosphere, evoking a feeling of quiet, eerie solitude. Following the success of their first two albums, Ulver signed with German label for their third album, issued in March 1997, marking the band’s international debut.

The album showcases a style similar to Bergtatt, abandoning the acoustic and atmospheric elements of Kveldssanger, with an intentionally sound. The album has been described as 'raw and grim black metal at its blackest.'